Editor de active
12_Sara Tavassoli and Parvin Ghasemi.pdf
<font size="3"><span style="font-weight: bold;">Abstract</span>: One of the interesting aspects of Angela Carter's fiction, which she has used since her<br>first novel Shadow Dance (1966), is the Gothic. Horrible castles, damsels in distress, dungeons,<br>disguises, and vampires are just some Gothic elements which permeate her work. Sadism and<br>Masochism are also elements in Gothic literature which govern the relationship between many of the<br>above-mentioned characters. Carter is particularly interested in how such relationships can be<br>dislocated and what they reveal about power structure in the modern society. In her late twentieth<br>century fiction, Carter critically demonstrates the reversal of values and identifications that occur via<br>the Gothic mode. Otherness, or to put it more precisely the relationship between self and other, takes<br>center stage in her work. Sexual transgression, dark desires, and fantastic deviance subvert the<br>restrictive orders of reason, utility and patriarchal morality.<br><br><span style="font-weight: bold;">Key words</span>: Gothic literature, power structure, modern society, haunted mansion, otherness,<br>rebellion and liberation.</font>
Editor de active
12_Sara Tavassoli and Parvin Ghasemi.pdf
<font size="3"><span style="font-weight: bold;">Abstract</span>: One of the interesting aspects of Angela Carter's fiction, which she has used since her<br>first novel Shadow Dance (1966), is the Gothic. Horrible castles, damsels in distress, dungeons,<br>disguises, and vampires are just some Gothic elements which permeate her work. Sadism and<br>Masochism are also elements in Gothic literature which govern the relationship between many of the<br>above-mentioned characters. Carter is particularly interested in how such relationships can be<br>dislocated and what they reveal about power structure in the modern society. In her late twentieth<br>century fiction, Carter critically demonstrates the reversal of values and identifications that occur via<br>the Gothic mode. Otherness, or to put it more precisely the relationship between self and other, takes<br>center stage in her work. Sexual transgression, dark desires, and fantastic deviance subvert the<br>restrictive orders of reason, utility and patriarchal morality.<br><br><span style="font-weight: bold;">Key words</span>: Gothic literature, power structure, modern society, haunted mansion, otherness,<br>rebellion and liberation.</font>
Despre
Analele Ştiinţifice ale Universităţii Ovidius Constanţa. Seria Filologie reprezintă o publicaţie periodică de referinţă din domeniul umanistic, axată pe cultură, limbi şi literaturi, lingvistică, istoria limbii, filosofie. Până acum, toate volumele au fost publicate anual, din 1990.
Publicaţia are o largă distribuţie, în peste 30 de universităţi din Europa şi America.
În anul 2010 Analele Ştiinţifice ale Universităţii Ovidius Constanţa. Seria Filologie au primit cotaţia B+ din partea Consiliului Naţional al Cercetării Ştiinţifice din Învăţământul Superior (CNCSIS).
Editorii Analelor Ştiinţifice ale Universităţii Ovidius Constanţa. Seria Filologie (Ovidius University Annals of Philology, Constanţa, Romania) doresc să vă anunţe faptul că începând din 2011 vor apărea două numere anual, în lunile iulie şi decembrie.
Lucrările vor fi redactate în limbile engleză sau franceză, cu rezumatul şi cuvintele-cheie în limba engleză.
Publicaţia este indexată în
• CEEOL (Central and Eastern European Online Library)
• DOAJ (Directory of Open Access Journals)
• IndexCopernicus Journals Master List
• Ulrichsweb™
şi înregistrată în
• ZDB (Zeitschriftendatenbank)
• RuG Links
• La Criée : périodiques en ligne
Contact
REDACTOR ŞEF
Adina Ciugureanu
Ovidius University of Constanta - adina.ciugureanu@seanet.ro
REDACTOR ŞEF ADJUNCT
Florentina Nicolae
Ovidius University of Constanta - nicolae_flori@yahoo.com